Romanized Nekomata
Kanji 猫又
Kana ねこまた
Meaning Forked cat
Type Animal form
Book(s) Gazu Hyakki Yagyō
Nekomata (猫又, Nekomata) are a kind of cat yōkai told about in folklore as well as classical kaidan, essays, etc. There are two very different types, the beast that lives in the mountains, and the ones raised domestically that grow old and transform. It is often confused with Bakeneko.


In China, they are told of in stories even older than in Japan from the Sui dynasty like in 猫鬼 or 金花猫 that told of mysterious cats, but in Japan, in the Meigetsuki by Fujiwara no Teika in the early Kamakura period, in the beginning of Tenpuku (1233), August 2, in Nanto (now Nara Prefecture), there is a statement that a nekomata (猫胯) ate and killed several people in one night. This is the first appearance of the nekomata in literature, and the nekomata was talked about as a beast in the mountains. However, in the "Meigetsuki," concerning their appearance, it was written, "they have eyes like a cat, and have a large body like a dog," there are many who raise the question of whether or not it really is a monster of a cat, and since there are statements that people suffer an illness called the "nekomata disease (猫跨病)," there is the interpretation that it is actually a beast that has caught rabies. Also, in the essay Tsurezuregusa from the late Kamakura period (around 1331), it was written, "in the mountain recesses, there are those called nekomata, and people say that they eat humans... (奥山に、猫またといふものありて、人を食ふなると人の言ひけるに……)."

Even the kaidan collections, the "Tonoigusa (宿直草)" and the "Sorori Monogatari (曾呂利物語)," nekomata conceal themselves in the mountain recesses, and there are stories where deep in the mountains they would appear shapeshifted into humans, and in folk religion there are many stories of nekomata in mountainous regions. The nekomata of the mountains have a tendency to be larger in later literature, and in the "Shin Chomonjū (新著聞集)," nekomata captured in the mountains of the Kii Province are as large as a wild boar, and in "Wakun no Shiori (倭訓栞)" from 1775 (Anei 4), from the statement that their roaring voice echos throughout the mountain, they can be seen to be as big as a lion or a leopard. In "Gūisō (寓意草)" from 1809 (Bunka 6), a nekomata that held a dog in its mouth had a span of 9 shaku and 5 sn (about 2.8 meters).

In the Etchū Province (now Toyama Prefecture), in Aizu, at the Nekomatayama said to be where nekomata would eat and kill humans (now Fukushima Prefecture), nekomata that shapeshift into humans and fool people, like Mount Nekomadake, sometimes have their legends be named after the name of the mountain. Concerning Nekomatayama, it can be seen that not following folklore at all, there actually are large cats living in the mountain that attack humans.

At the same time, in the Kokon Chomonjū from the Kamakura period, in the story called Kankyō Hōin (観教法印), an old cat raised in a precipitous mountain villa held in its mouth a secret treasure, a protective sword, and ran away, and people chased after it, but it disguised its appearance right then, and it left behind that the pet cat became a monster, but in the aforementioned "Tsurezuregusa," this is also a nekomata, and it talks about how other than the nekomata that conceal themselves in the mountains, there are also the pet cats that grow old, transform, and eat and abduct people.

In the Edo period and afterwards, it has become generally thought that cats raised domestically would turn into nekomata as they grow old, and the aforementioned nekomata of the mountains have come to be interpreted as cats that have run away and came to live in the mountains. Because of that, a folk belief emerged in each area of Japan that cats are not to be raised for many months and years.

In the "Ansai Zuihitsu (安斎随筆)" by the court ceremonial Sadatake Ise, the statement "a cat that is several years of age will come to have two tails, and become the yōkai called nekomata" can be seen. Also, the mid-Edo period scholar Arai Hakuseki stated, "old cats become 'nekomata' and bewilder people," and indicating it was common sense at that time to think that cats become nekomata, and even the Kawaraban of the Edo period reported on this strange phenomenon.

In the book Yamato Kaiiki (大和怪異記, engl. "Mysterious stories from Japan"), written by an unknown author in 1708, a story speaks about a haunted house of a rich samurai. The inhabitants of this house witness several poltergeist-activities and the samurai invites countless shamans, priests and evokers in attempt to make the happenings come to an end. But none of them is able to find the source of the terror. One day one of the most loyal servants observes his master's very old cat carrying a shikigami with the imprinted name of the samurai in its mouth. Immediately the servant fires a sacred arrow, hitting the cat in its head. When the cat is lying dead on the floor, all inhabitants can see that the cat has two tails and therefore had become a nekomata. With the death of the demon-cat the poltergeist-activities end. Similar eerie stories about encounters with nekomata appear in books such as Taihei Hyakumonogatari (太平百物語, engl. "Collection of 100 fairy tales"), written by Yusuke (祐佐, or Yūsa) in 1723 and in the book Rōō Chabanashi (老媼茶話, "Tea-time gossip of old ladies"), written by Misaka Daiyata (三坂大彌) in 1742.

It is generally said that the "mata" (又) of "nekomata" comes from how they have two tails, but from the view of folkloristics, this is seen as questionable, and since they transform as they grow older, the theory that it is the "mata" meaning "repetition," or as previously stated, since they were once thought to be a beast in the mountains, there is the theory that it comes from "mata" (爰) meaning monkeys, with the meaning that they are like monkeys that can freely come and go between trees in the mountains at will. There is also the theory that it comes from the way in which cats that grow old shed the skin off their backs and hang downwards, making it seem like they have two tails.

Cats are often associated with death in Japan, and this particular spirit is often blamed. Far darker and malevolent than most bakeneko, the nekomata is said to have powers of necromancy, and upon raising the dead, will control them with ritualistic dances - gesturing with paw and tail. These yōkai are associated with strange fires and other unexplainable occurrences. The older, and the more badly treated a cat has been before its transformation, the more power the nekomata is said to have. To gain revenge against those who have wronged it, the spirit may haunt humans with visitations from their dead relatives. Like bakeneko, some tales state how these demons have taken on human appearance - but have usually appeared as older women, behaving badly in public and bringing gloom and malevolence wherever they travelled. Sometimes the tails of kittens were cut off as a precaution as it was thought that if their tails could not fork, they could not become nekomata

From this discernment and strange characteristics, nekomata have been considered devilish ones from time immemorial. Due to fears and folk beliefs such as the dead resurrecting at a funeral, or that seven generations would be cursed as a result of killing a cat, it is thought that the legend of the nekomata was born. Also, in folk beliefs cats and the dead are related. As carnivores, cats have a sharp sense of detecting the smell of rotting, and so it was believed that they had a trait of approaching corpses; with this folk belief sometimes the kasha, a yōkai that steals the corpses of the dead, are seen to be the same as the nekomata.

Also in Japan there are cat yōkai called the bakeneko, but since nekomata are certainly the yōkai of transformed cats, sometimes nekomata are confused with bakeneko.

In the Edo period, many in style of illustrated reference books, yōkai emaki, have been made, and nekomata are frequently the subject of these yōkai depictions. In the Hyakkai Zukan published in 1737 (Gembun 2), there was a depiction of a nekomata taking on the appearance of a human female playing a shamisen, but since shamisen in the Edo period were frequently made by using the skins of cats, the nekomata played the shamisen and sang a sad song about its own species, and has been interpreted as a kind of irony etc. Concerning the fact that they wear geisha clothing, there is the viewpoint they are related due to the fact that geisha were once called "cats (neko)" (refer to first image).

Also, in the "Gazu Hyakki Yagyō" published in 1776 (An'ei 5) (refer to image on right), with a depiction of a cat on the left with its head coming out of a shōji, a cat on the right with a handkerchief on its head and its forepaw on the veranda, and a cat in the middle also wearing a handkerchief and standing on two legs, and thus as a cat that has not had enough experience and thus as difficulty standing on two legs, a cat that has grown older and has become able to stand on two legs, it can be seen to be depicting the process by which a normal cat grows older and tramsforms into a nekomata. Also, in the Bigelow collection of the Museum of Fine Arts, Boston (the ukiyo-e collection), in the "Hyakki Yagyō Emaki," since pretty much the same composition of nekomata has been depicted, some have pointed out a relation between them.

In popular culture

  • Matamune, Yoh Asakura's first guardian ghost in Shaman King, is a nekomata.



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